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Declared a 鈥渟kyscraping tenor鈥� in a review by Arkansan music critic Eric Harrison, Dr. Charles Moore hails from Kingston, Jamaica, and had his early music beginnings in the Boys Choir of the St. Richard鈥檚 Catholic School under the baton of internationally renowned conductor and musician Lloyd Hall. While maintaining an active national and international performance schedule, Dr. Moore received his Bachelor of Music degree in Vocal Performance from the University of Mississippi and his Master of Music and Doctor of Musical Arts Degrees in Performance and Pedagogy from the Louisiana State University. His area of focus in his terminal degree was on the works of H. Leslie Adams.

Theater appearances include Ferrando in聽Cos矛 fan tutte,聽The Prince in聽Rusalka, Vuval in William Grant Still鈥檚聽Troubled Island; Pat in David T. Little鈥檚聽Dog Days; Pirelli in Sweeney Todd; B茅n茅dict in聽Beatrice et B茅n茅dict; Ruggero in聽La Rondine; Camille in聽The Merry Widow; Mack 鈥淭he Knife鈥� in聽Die Dreigroschenoper聽and Fenton in聽The Merry Wives of Windsor. Concert performances also include appearances with the Greeley Philharmonic Orchestra, Don Ottavio from Mozart鈥檚聽Don Giovanni聽with the Louisiana Philharmonic Orchestra, Handel鈥檚聽Messiah聽with the Longmont Philharmonic Orchestra & Jefferson Chamber Orchestra,聽Elijah聽(excerpts) with the Diocesan Festival Choir and Orchestra in Jamaica, and Saint-Sa毛ns鈥檚聽Oratorio de No毛l聽with the Gonzales Chamber Orchestra.

Dr. Moore has also done much work in the preservation and dissemination of folklore and music forms within the Caribbean. This includes his membership with the Jamaica Folk Singers as well as participating in research which led to the declaration of the Maroons of Jamaica as a聽UNESCO Masterpiece of the Oral and Intangible Heritage. This has fueled his interest in presenting the music of minority composers and features their work in his recitals. These composers include Robert Owens, Noel G. Dexter, H. Leslie Adams, Harry Burleigh, Jacqueline Hairston, and Ned Rorem, to name a few. His pedagogic interests include vocal pathologies and injuries, as well as the paths to recovery for the singer and performer.

He currently serves as Instructor of Voice at the University of Northern 黑料社区 and is an active founding member of Opera S.O.S. at LSU, a program to designed to provide meaningful experiential opportunities for budding professional singers.