UNC Magazine
April 25, 2025
Written by Sydney Kern
Setting the Bar High
Music faculty raise the standard of excellence at the 2025 Grammys, in the industry, and for the next generation of musicians
Wearing a classic black tuxedo over a white button up shirt and a purple velvet bowtie, Tim Gocklin, oboist, adjunct professor and Artist in Residence at UNC鈥檚 School of Music, attended the Crypto Arena in Los Angeles on Feb. 2 for the 67th Annual Grammy Awards.
Gocklin and the four other longtime members of the Akropolis Reed Quintet, who have been creating music together for the last 16 years, were about to find out if they would become Grammy winners. Their song 鈥淪trands,鈥 created with drummer Christian Euman and composer/pianist Pascal Le Boeuf, was nominated in the Best Instrumental Composition category.
As their category approached, anticipation was building when actor, comedian and singer Wayne Brady spoke the famous suspenseful words, 鈥淎nd the Grammy goes to鈥…
鈥… 鈥楽trands鈥 by composer Pascal Le Boeuf, Akropolis Reed Quintet, and Christian Euman.鈥
It was music to Gocklin鈥檚 ears. His hands went straight to his face in pure shock and excitement. After taking two seconds for the news to sink in, Gocklin, and the whole team, ran up to the stage with tears in his eyes to stand behind Le Boeuf, who briefly and beautifully thanked the Recording Academy for the recognition.
鈥淲e are so thrilled, stupefied and extremely excited,鈥 Gocklin said. 鈥淭here are so many deep emotions of gratitude and love in reflecting on everything that brought us to this moment.鈥
The Akropolis Reed Quintet is an ensemble of five different reed instruments鈥嗏斺唎boe, alto saxophone, bassoon, clarinet and bass clarinet. The group began recording their latest album Are We Dreaming the Same Dream? in 2020, completing it in 2022.
The album brings together the reed quintet, piano and drums to create quite a special jazz and classical fused experience. Throughout the record, and especially in the award-winning song 鈥淪trands,鈥 the musicians explored the concept of the American dream.
鈥淭he project is a dedication to the music of Geri Allen, Dave Brubeck and George Gershwin and a commentary on how we in America are all woven from different 鈥榮trands鈥 that come together to create something beautiful,鈥 Gocklin said. 鈥淚t鈥檚 an amalgamation of our different musical styles.鈥
Chasing the American Dream
Gocklin worked on the Grammy Award-winning project while teaching at UNC. He鈥檚 grateful he can work with students in the classroom while honing his professional expertise. He says one of the biggest benefits students in UNC鈥檚 School of Music have is the opportunity to learn and study under many faculty members who excel in the music industry.
鈥淢y goal is to inspire my students through practicing what I preach with regards to hard work, consistency and perseverance,鈥 Gocklin said. 鈥淚t鈥檚 also important to show them that it鈥檚 not all about how well they play, it鈥檚 about collaboration, how you work and how you communicate with people. 鈥楤e someone who people want to work with,鈥 as my teacher Steve Taylor at Yale told me.鈥
Several of Gocklin鈥檚 colleagues have successful careers outside the classroom. For example, professor of Music, Jazz Guitar Steve Kovalcheck, M.M., was also recognized by the Recording Academy this year. He played on the album And So It Goes nominated for Best Large Jazz Ensemble.
Although the Grammy went to another musical group, Kovalcheck walked away with the experience of a lifetime playing with the Clayton-Hamilton Jazz Orchestra led by bassist/composer John Clayton and drummer Jeff Hamilton, who are legendary jazz musicians.
鈥淭hey have more than 50 years of experience in the industry, working with everyone from Quincy Jones to Whitney Houston to Barbara Streisand and Diana Krall,鈥 Kovalcheck said. 鈥淚鈥檓 very grateful they asked me to record with them.鈥

Steve Kovalcheck, M.M., Professor of Music, Jazz Guitar

Socrates Garcia, D.A., ’13, Director of Music Technology
Another accomplished faculty member is Director of Music Technology Socrates Garcia, D.A. 鈥13. His talents and successes as a recording engineer and producer earned him a spot on the voting body of 13,000 professionals who determine the Grammy Award winners, a position he has held for the past 12 years.
鈥淚t鈥檚 a service that I love to do,鈥 Garcia said, 鈥淗aving a Grammy is a big deal, it鈥檚 a big accomplishment, so I don鈥檛 take it lightly.鈥
To become a voting member, Garcia had to qualify by gaining a certain number of recording credits on albums sold regionally and internationally. Throughout his career, Garcia has performed as a touring musician, guitarist and keyboardist in many Latin American countries, including Mexico, Colombia, Venezuela, Bolivia, Costa Rica, Aruba and throughout his home, the Dominican Republic. He typically plays with his big band, the Socrates Garcia Latin Jazz Orchestra.
As for the Grammys, each year, Garcia votes in two rounds, the first deciding who should be nominated and the second deciding who should receive an award.
鈥淚 spend literally days listening to music I don鈥檛 know as I go through the voting process. It鈥檚 a lot of listening and a lot of fun,鈥 Garcia said.
Garcia, who has worked on a project that won two Grammys and other Billboard topping chart projects himself, doesn鈥檛 vote on every award. He votes on the most prominent awards, such as Record of the Year and Artist of the Year, as well as awards involving producing and engineering鈥嗏斺唄is expertise. While he can鈥檛 say who he voted for, Garcia says his fellow UNC faculty members鈥 works were well worth the nominations.
鈥淪teve and Tim were great and well-deserved,鈥 Garcia said. 鈥淎nd just like all of our faculty do, they鈥檒l be able to bring back their whole Grammy experiences to their students in the classroom.鈥
Grammy-worthy teaching
Teaching beyond the textbook is one of Garcia鈥檚 favorite aspects of his job.
鈥淚 love to share anything and everything I鈥檝e learned. My students will tell you that I don鈥檛 hold back,鈥 Garcia said. 鈥淔or example, a recent graduate interned in my recording studio. She left with credits on a movie and two albums. Those are the kind of things I like to share. Everyone needs experience.鈥
And his sentiment is echoed by Grammy-nominated Kovalcheck.
鈥淲e have a lot of connections to all the major music capitals in the country鈥嗏斺哊ashville, New York and L.A. Students know that this is a place where it doesn鈥檛 matter what level they are at, they鈥檙e going to be challenged and they鈥檙e going to get supported through those challenges,鈥 Kovalcheck said.
鈥淚n the School of Music, we are like a family. As soon as you come here and see how we work together, you feel that it鈥檚 a very unique place. I always say that what we have here is special.鈥